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'infra' released today!
Published 20 July 2010 by StudioKinoAdmin


FatCat are proud to announce that Max Richter's album Infra is out today on FatCat’s instrumenta l/ orchestral imprint 130701 Records and available in CD, vinyl and digital format to purchase in the UK, Europe and USA.

You can buy the album here

Originally conceived as a Royal Ballet-commissioned collaboration between composer Max Richter, choreographer Wayne McGregor and artist Julian Opie, the concept of 'infra' premiered in November of 2008 at The Royal Opera House in London as the score for a ballet. Expanded and extended from the original piece, ‘infra’ comprises music written for piano, electronics and string quintet, including the full performance score as well as material that has subsequently developed from the construction of the album – more a continued reference to the ballet than as a “studio album” in the strictest sense. The composition resonates with Max’s characteristic musical voice – majestic, involved textures; fluent and sweeping melodies; an enigmatic and inherently intellectual understanding of harmonic complexities that compels and mesmerizes.

Richter’s work on the ballet came initially from McGregor’s invitation, a request for 25 minutes of music for his piece, inspired by T.S. Elliot’s ‘The Wasteland’ and named after the Latin term for ‘below’. Max’s score is an appropriately close reference to the traveling theme. In his own words: “I started thinking about making a piece on the theme of journeys. Like a road movie. Or a traveler’s notebook. Or like the second unit in a film - when the scene has been played, and the image cuts away to the landscape going by. This started me thinking about Schubert's devastating and haunting "Winterreise" (Winter Journey), so I used some melodic material from Schubert as a found object in parts of my new piece.“

“Heartending" - Uncut

“Infra broadly carries on the style of albums like The Blue Notebooks and Songs From Before, which, with their finely wrought miniatures, were quite exquisite creations.” - Wire

“At his saddest, Richter sounds like Gorecki, at his most penetrating, like Michael Nyman on a backdrop of concrete and rain.” - Word